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Although not as celebrated as “Gojira,” Eugène Lourié’s “Gorgo” was a British kaiju film released in 1961, a film clearly made to cash in on the popularity of Japanese monster movies that were proliferating the international film market. It’s likely that both “Gorgo” and various “Godzilla” sequels were making the rounds through American grindhouses when Carpenter was a boy, and he likely saw two monster films back-to-back as part of a glorious double feature.
When Den of Geek asked Carpenter if his fans would ever see “Gorgo Versus Godzilla,” Carpenter replied with a curt “Oh, please, let’s not talk about this, I was so young.” The interviewer, Tony Sokol, merely wanted one thing clarified: who won in the end. Surely it was Godzilla? Did he trash Gorgo’s ass? Because Gorgo was clearly a Godzilla knockoff? “Yes. Yes, he did. He just trashed it. What a question.” He continued to say that liking Godzilla was once considered an outsider’s interest for weirdos, and now it’s considered a lot cooler. The director said:
“I just wanted to share my love of Godzilla movies with others. I grew up on them, I raised my son on them. Godzilla is the longest-running franchise of any movie in the world. He is the king. I wanted to do it as an act of love. These movies have been appreciated in silence for years. It wasn’t cool to be a fan of Godzilla. It just wasn’t. It was just a shameful thing. I’m not ashamed.”
I can understand why Carpenter doesn’t want anyone to see his Godzilla movie. Do you want the world to see the art you made — the fanfic, the superhero drawings, the unicorn watercolors — at age 14?
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