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Part of what swayed J.J. Abrams and got him to more seriously consider Kathleen Kennedy’s suggestion that he direct “The Force Awakens” was an early embryonic image of the character Rey (Daisy Ridley) would become. In “The Secrets of The Force Awakens,” Abrams explains:
“When we were discussing it, there was this one moment that I instantly had the chills considering, which was: a young woman, what her story is, I had no idea. But saying, ‘Where’s Luke Skywalker?’ It was so titillating, the notion that this character who we all know would be discovered by some new young heroine. [It] was incredibly intriguing. It just felt to me like that was a great starting point for a story.”
Before the release of “The Force Awakens,” Kennedy told a slightly different version of this story, where Abrams was “in” almost immediately and the question that gave him chills was, “Who is Luke Skywalker?” That would seem to tease a story where Luke, once the galaxy’s greatest hero, might be redefined for a new generation, or forgotten by it entirely.
This was back when “Jurassic World” director Colin Trevorrow was still linked to the then-untitled “Star Wars: Episode IX.” At the time, Abrams denied that he would direct “Episode IX,” though he later changed his mind, as with “Episode VII: The Force Awakens.”
Abrams delivered an intentionally safe, by-the-numbers bridge between old and new that, true to his thoughts, has a great starting point. And fittingly, it was a great starting point for Disney’s “Star Wars” sequel trilogy as well, though Abrams himself couldn’t stick the landing when he returned to helm “The Rise of Skywalker,” a movie that got away from him and he arguably should have declined.
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