[ad_1]
In an interview with Esquire during the film’s initial release in 2019, Quentin Tarantino wanted to emphasize how personal the project was to him. Going so far as to say that “Once Upon A Time In Hollywood” is “the closest thing [he’s] done to “Pulp Fiction.” The similarities to “Pulp Fiction” are striking, from the structure to the seemingly disconnected characters converging towards the end, “Once Upon A Time” plays out like a less violent and more methodically paced film that wants viewers to soak in the scenery. The emphasis on LA primarily has to do with how much that period means to Tarantino, with the director comparing it to another personal period piece:
“[This] is probably my most personal [film]. I think of it as my memory piece. Alfonso [Cuarón] had Roma and Mexico City in 1970. I had L. A. and 1969. This is me. This is the year that formed me. I was six years old then. This is my world. And this is my love letter to L. A.”
While entirely different in tone and structure than “Roma,” it’s clear that Tarantino empathizes with Cuarón’s passion project. While some might consider the film too self-indulgent with its driving scenes and emphasis on the radio station structured soundtrack (similar to Tarantino’s directorial debut Reservoir Dogs), anyone could relate to wanting to return to the time of their childhood. Born in 1963, Quentin Tarantino’s “Once Upon A Time In Hollywood” is so different and resembles his earlier work because of how closely it’s associated with his nostalgia for his younger days (which is probably why he considers it his best movie). However, some critics believe such intimate projects bite off more than they can chew.
[ad_2]
Source link
