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Daemon’s age is not his only ambiguous quality. Throughout this season, we’ve ping-ponged between loving and hating him depending on the righteousness of his most recent act. As we’ve argued before, it’s okay to root for even the worst characters in “House of the Dragon” given the limited selection of good ones. But Daemon no doubt tested most of us when he inexplicably murdered his wife and callously abandoned Rhaenyra at his favorite brothel.
Since their wedding, Daemon has remained loyal to Rhaenyra. But it’s still questionable whether we should get invested in an incestuous and potentially abusive relationship. It’s also unclear if Daemon is motivated more by love for Rhaenyra or lust for the Iron Throne. These are the types of questions Smith has purposefully incorporated into his depiction of Daemon. When asked if Daemon is a “full-on sociopath or a lovable rogue,” Smith said:
“It depends on what side of the bed he gets out on. I think he’s just an agent of chaos in many respects … I was trying not to be too black and white about him.”
Smith says his portrayal of Daemon borrows influence from the “magical realism” genre and specifically the Soviet novel “The Master and Margarita,” in which Satan visits an atheistic Russian society disguised as a Professor named Woland and, accompanied by a black cat, a hitman, and a vampire, proceeds to wreak havoc on the elite class and make them believers.
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