[ad_1]
For those still unfamiliar with “Heat,” the film tells the story of LAPD Lieutenant Vincent Hanna (Al Pacino) who’s on the trail of career thief Neil McCauley (Robert De Niro). Hanna gets closer and closer to tracking down McCauley and putting an end to his crew’s heists once and for all, prompting them to plan one final job that will allow them to walk away from crime once and for all.
But as you might have guessed, things don’t quite go to plan, with the cat and mouse game leading to some intense moments such as the legendary downtown L.A. shootout scene, and of course the peak Pacino moment where he yells, “great ass” in Hank Azaria’s face.
Imagine finally getting Robert De Niro and Al Pacino, who were already Hollywood giants in 1995 but had never been co-stars, to finally star alongside one another. Then, imagine writing a script so layered, thoughtful, and downright compelling that it actually lived up to the hype of having these two mega-stars share the screen. Well, that’s “Heat.”
Michael Mann made the film with two ambitious goals in mind: to write a “contrapuntal film in which there are really only two protagonists” and to “dimensionalize everybody.” That second goal gets to the heart of why “Heat” is more than a crime drama, more than an action film, and basically transcends genre altogether. The writer-director tried to explore the depths of every character in this film, especially the “bad guys.” In fact, it was the so-called villains that Mann was particularly interested in.
[ad_2]
Source link
Comments are closed.