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In 2014, when the first season of “True Detective” aired, Matthew McConaughey had just begun to shed the weight that a decade of romantic comedies had put on his image.
As American cinema’s foremost handsome slacker, he reoriented the genre with movies like 2006’s “Ready to Launch” (as a manchild) or 2003’s “How To Lose A Guy In 10 Days,” (as an ad executive), and in turn, they redefined him. For all of his promising work in the first decade of his career, beginning with the 1994 teen movie classic “Dazed and Confused,” he had ended up a simple repository of laidback Southern charm and the face of a genre that was dying. That was just about to change for him.
While the effortless humor McConaughey showed off in romantic comedies would have made him a great fit for “True Detective” character Marty Hart, one can see in his role choices around the time an interest in something darker, or at least more serious. Something more like Rustin Cohle.
The Southern gothic folk tale vibes of Jeff Nichols’ 2012 film “Mud” allowed McConaughey the chance to be a tragically romantic hero, and his showings in both the original “Magic Mike” and “Wolf of Wall Street” saw devilish energy behind every wickedly funny line delivery. No performance in particular marked this new era for the actor. It was a feeling generated by a number of well-timed choices that reminded viewers of his capabilities, something that had in internet circles gained the name of “the McConaissance.”
Shortly after his run on “True Detective,” in fact, he won the Academy Award for Best Actor for his role in “Dallas Buyers Club.”
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